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In Concert

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Album

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testimonials

What my colleagues have to say;
"Playing opposite Vincent Hooper's Freddy in DIRTY ROTTEN SCOUNDRELS was a revelation. The audience adored his hilarious, wicked, sexy performance and, of course, he sings like an angel."
-Tony Sheldon Tony Award nominee, Pricilla, Queen of the Desert/Actor/Director
"Vincent's work ethic and dedication don't surprise me any more, but his range always does. He can be moody and dark, but he can also be cartoonishly hilarious and knockabout. He can be threatening or he can be sweet. And when he sings, well, his range is literally just as wide there too. He knows how to invest a lyric with meaning. He's a tour de force."
-Phil Scott Musical Director/Satirist/Writer
“Vincent Hooper gave a mesmerizing performance as 'thrill killer' Nathan Leopold in my production of THRILL ME: The Leopold & Loeb Story. He is the real deal, a great singing actor with a bucket load of good humour as well. Everyone should cast him. Oh, wait, I already have again. In Antarctica: A New Musical at Theatre Royal, Hobart. Do yourself a favour...”
-Terence O’Connell Director

Theatrical bio


Vincent Hooper is one of Australia's most exciting and versatile talents.A WAAPA grad (BA Music Theatre), Vincent has performed around Australia and the world in many major musicals including Avenue Q (Nicky/Trekkie), Heathers (Ram/Rams Dad), The Rocky Horror Show (Rocky), and The Who's Tommy (Cousin Kevin). He is soon starring as Sonny Molone in Xanadu, in Perth, where he also recently appeard in Peter Pan (Peter Pan), Chicago (Amos), The Wizard of Oz (Lion) and legally Blonde (Kyle the UPS guy). Other credits include; Dirty Rotten Scoundrels (US Freddie), Thrill Me (Nathan), Happy End, The Tempest (Ariel), The Almost Eurovision Experience, Calendar Girls, Loving Repeating, Hello Again, Putting it Together, Antarctica, Milli Jack and the Dancing Cat, Elegies; A Song Cycle, MissCast and The Twink and the Showgirl. His original album Here Today, Gone Tomorrow can be found on iTunes and Spotify.

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